One of the weirdest, funniest things I’ve seen in a while.
Update! Found another one.
One of the weirdest, funniest things I’ve seen in a while.
Update! Found another one.
My wife and I are members at a Chattanooga speakeasy called London Calling and we love the House Rules shared in their incredible spring menu (they update the menu as the seasons change).
Who will sit on the Iron Throne…of Rock?!
To quote Darth Vader, “Impressive.”
I’m still upset that Google provided Reader, then killed it. Don’t let the same mess happen with podcasts.
Big companies are trying to monetize and monopolize an open standard. Please don’t let this happen. Learn more:
I have not seen this movie. I will see this movie. What a beautiful thing.
…nearly every Southerner feels a personal connection to Waffle House. How can a cookie-cutter restaurant chain win over the hearts of millions of people? My answer is inclusivity. In my experience, when you walk into a Waffle House, whether it is off a random exit in northern Alabama or downtown Charlotte, North Carolina, you are welcomed. At its best, Waffle House creates a sense of belonging unlike most other places.
Waffle House does not care how much you are worth, what you look like, where you are from, what your political beliefs are, or where you’ve been so long as you respect the unwritten rules of Waffle House: Be kind, be respectful, and don’t overstay when others are waiting for a table.
And I’m with Micah. Hash browns should be scattered and covered by default.
I’m a huge fan of Amanda Palmer’s work and this collaboration with Anna Calvi is particularly brave. Usually artists choose something with a great hook you can dance to if they’re going to cover a song. Think Twist and Shout or Louie Louie.
Instead, they chose David Bowie’s swan song Blackstar and it’s amazing.
As part of the monthlong celebration of my birth, I got to enjoy a Scotch tasting session at our favorite bar in Chattanooga.
The session begins at 6 p.m. and I figured, “Hey, why not make a day of it?” I packed a small bag with all the necessities: MacBook Pro, notebook, pen, pencil, and my new Kindle Paperwhite. Armed with some extra time and a credit card, I was ready for anything!
No, I’m not drinking all day. To start, I settled in with a latte around 2:30 at a great coffeehouse next door to the aforementioned speakeasy. After treating myself to one latte, I switched to black coffee roasted fresh all the time just six blocks down the road. I’ll be a twitchy mess at bedtime, but it sure was good coffee.
Two folks chatting nearby caught my attention and introduced themselves. Genesis is a local, an artist by the sound of it, with a guest named Daga. Genesis seems to know everyone; he greets almost all of the customers coming into the place. He introduced Daga as “a creative who just moved here from Boston.” I had been tapping away at the computer open in front of me. He asked if I am a writer. “Sometimes,” I said. “Same,” Daga said. Cool folks. We exchanged a few pleasantries about writing and living around Chattanooga before returning to our own little worlds at our tables.
Back on track, the Scotch experience was fascinating. Rick Edwards, one of four Masters of Scotch in the world (at the time of this writing), led us through an hourlong session tasting five servings of Glenlivet. I always knew I like Scotch whisky, but I never knew why I like it. Now I do!
Christie’s to auction more than 120 guitars from the personal collection of the Pink Floyd singer and songwriter, including the iconic Fender Stratocaster played on The Dark Side of the Moon, Wish You Were Here, Animals and The Wall
David Gilmour’s 1969 Black Fender Stratocaster has earned its place in rock’n’roll history. Known as ‘The Black Strat’, the guitar was purchased in 1970 at Manny’s on West 48th Street in New York, and has become the Pink Floyd singer and songwriter’s most identified instrument over the course of nearly 50 years.
This is both exciting for those who have the money to buy them and sad that we won’t hear Gilmour play his soul through them again. These guitars are artifacts as precious as anything discovered at Pompeii.
I can’t take credit for this, but I don’t want to forget it either. Each character’s association with social media is damn near perfect!
I saw this years ago and thought about it just the other day for no reason. Honesty in advertising is awesome.
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I miss Leonard Nimoy and this is how I feel these days.
It’s easy to get sucked into the YouTube hole of TED Talks to watch enlightened individuals bless viewers with their wisdom. Boy howdy do they have a lot of wisdom to share.
This clever life hack will eliminate the need to watch any more of those 15-minute talks. These two videos will change your life!
The curator’s alternative: an 18-karat, fully functioning, solid gold toilet — an interactive work titled “America” that critics have described as pointed satire aimed at the excess of wealth in this country.
For a year, the Guggenheim had exhibited “America” — the creation of contemporary artist Maurizio Cattelan — in a public restroom on the museum’s fifth floor for visitors to use.
But the exhibit was over and the toilet was available “should the President and First Lady have any interest in installing it in the White House,” Spector wrote in an email obtained by The Washington Post.
An offer befitting a president with such a foul mouth.
It’s not a show that will be easily distilled down into disposable YouTube clips, though there are some great exchanges. And it’s not a program that should be viewed with attention turned halfway elsewhere. It’s thoughtful, funny, and moving, but more than anything else, it is proof that David Letterman still has something to say.
Letterman’s new show was not what I expected and I love it.
The internet has become my primary source of entertainment and enrichment over the years. It serves me for reading to socializing and audio to video. I’ve been thinking about the people who help me find the things I enjoy most online and narrowed it down to three people: Marco Arment, Dan Benjamin, and Merlin Mann. These three are the wellsprings that led me to so many great other things over the years.
You may enjoy some of my favorite podcasts made by a group of awesome people. I have listed them below along with links to the hosts’ Twitter feeds.
These are just the cream of the crop and I thank them for “All the Great Shows.”
Marco brought me Tumblr, Instapaper, and my most-used iOS app Overcast. Tumblr is a lot of fun. The other two count as life-changers for me. Almost everything I read or listen to online comes to me through something Marco made. He’s “like, really smart” and opinionated. Find our for yourself at marco.org.
Merlin is the consistent thread through much of the content I consume. He would groan about this, but his (dormant since 2011 and lovingly still available) website 43 Folders was the beacon that led me to him. Funny sidetrack: While checking to see that the site was still live, the last post was announcing what was the most recent version of Instapaper at the time.
Of the three, Merlin has had the biggest impact on my life. You can tell from the way my wife rolls her eyes when I say “Merlin said foo on bar podcast today.” I feel like I have traveled with him to WWDCs in San Francisco and talks from Rutgers to New Zealand. I even remember when he used to be Merlin Mann and talked to his wallet.
Oh! Oh! Don’t forget You Look Nice Today. It was literally the first podcast ever made.[^This is not at all true.] Merlin made that with his amigos Adam Lisagor and Scott Simpson, who are also awesome and hilarious internet people.
There are so many people I have kinda sorta met through the Interwebs who also deserve recognition because I am thankful to learn and laugh with them.
Brett Terpstra deserves a special acknowledgment. His website is filled to the brim with Mac goodies. Don’t believe me? Be sure to check out his projects page. His app Marked is a must-have for anyone writing with Markdown on a Mac.
Others on the short list are Matt Alexander](https://twitter.com/mattalexand), Haddie Cooke, Jim Dalrymple, Guy English, Ken Jennings (the Jeopardy guy), Jason Snell, David Sparks, and Christina Warren. I could go on if this wasn’t becoming so maudlin. There are so many.
While searching for references I found “The Story of John Roderick,” a wikidot page crafted by Jochen Römling. Being such a cool thing, I emailed a quick note to the craftsman in Sweden and had a terrific little email conversation with him.
A lot of days we look at the internet and see a raging dumpster fire of a thing. Take a closer look. Pick through the ashes. Find the gems and share a little light with each other.
The horror of watching something terrible unfold right in front of you makes it nearly impossible to look away. The 2016 election is such a train wreck, the candidates’ voices like the horrible screeching of metal, so much vitriol like blood spilling onto the tracks.
All the world’s a stage and the greatest nation in the world has sunk to become the world’s stage for reality TV. This campaign has all the makings from bombshell accusations from FBI Director James Comey and Trump’s outright threats (I’ll put her in jail!) to backstabbing within the party (sensible Republicans versus The Donald) and outside interference (I’m looking at you Russia). Could Shakespeare write such a dark farce? If he tried, would scholars label it as tragedy or comedy?
The investigations of Clinton’s emails—opened and reopened during this campaign—ended as much ado about nothing. Twice. Likewise the so-called assassination attempt at a Trump rally. The “assassin” was nothing more than a member of their own Republican Party holding a sign in peaceful protest of a truly terrible candidate.
I feel like the main character in a (more) dystopian version of The Truman Show. Is this reality? Really? The whole campaign is so transparently ridiculous and almost scripted to seem unreal, yet here we are hunkered down on the edge of chaos with a hopeful tyrant snapping at the heels of the only presidential candidate on the ballot.
While some subscriptions clearly aren’t worth the cost to me, others are. The problem is that a bunch of cheap subscriptions add up to a bunch of money.
No one feels like much. Together, they’re nearly $90 a month, or more than $1,000 a year.
We cut the cord on cable a long time ago, and we’re still coming out on top compared to the cost of a cable subscription, but we aren’t getting all of the channels but we never watched all the channels.
That isn’t including the puny bit of patronage I am able pay to my favorite Internet acquaintances, particularly Marco Arment and Brett Terpstra. Shout out to 5by5 as well. They’re great!
Rdio was my jam for a couple of years. A couple of months ago, Spotify offered a cheap deal and I gave it a shot. Now, Apple Music has bebopped into the mix. All three have deep catalogs to fuel a music marathon running in any direction.
Rdio is my favorite of the three, but probably won’t win back the top spot on my devices. The music service does social better than its competition. The app itself wins for its ability to control other versions of the app. By that I mean if a song is playing on my Mac, users can pause or change tracks from their iPhone and iPad or switch to play the track on their mobile device. Discovery is also pretty great. Search for your favorite artists and play a channel of that artist and others like them.
Spotify is more popular than Rdio, at least it seems to have more users. Maybe it’s because I cut my teeth on Rdio, but Spotify’s interface seems confusing to me. The playlists matched to activity is kind of neat, but it isn’t the first one to offer that feature. Songsta has done that for a while, and a new player in the field prominently shares the same sorts of playlists.
Apple Music also offers activity playlists and boasts human curation. It’s also the only service with anything like the DJ-curated Beats 1 Radio.[footnote]Don’t slip up and just call it Beats One. I hope the “online electronic and dance music radio station based in Calgary, Alberta” is taking advantage of any confusion.[/footnote] “Worldwide. Always on.” Curation by real people rather than algorithms is intriguing and helpful. Apple Connect is a huge improvement over the fruit company’s social flop by serving a different purpose than Ping—connecting artists to fans, not fans to fans. I’m still not sure how that will shake out, but so far so good in my opinion. I’ve found some good stuff in Apple Connect. The “For You” tab in Apple Music is another pro. Some of the playlists here have been perfect for me. Again, these are said to be arranged by real human beings who put thought into these lists like the cassette mixtapes of lore.
The problem with Apple Music, at least on the desktop, is that it is still a part of the monstrous digital hub that is iTunes, Apple’s answer to syncing, streaming, and managing apps, devices, podcasts, videos, movies, voice notes, TV shows, iTunes U, and more. There is a lot to deal with, both on OS X and iOS, so it’s confusing at first. I’m willing to learn.
Even with its warts and pain of the birthing process, the curation and deep roots in my digital ecosystem mean Apple Music is going to be my new jam.